Archives For utah

Utah Skies

Jay Patel —  April 10, 2013 — Leave a comment

Paria Townsite, Grand Staircase-Escalante, Utah (UT), USA
In this photograph, the incredible geology of Grand Staircase Escalante National Monument seems to have found its match in the incredible skies overhead. When we visited this place with one of our students, he described the breathtaking scene before him with a wide-eyed “FAN-FREAKING-TASTIC!” We visited this spot several times before the skies decided to put on a show.

This image highlights textures and patterns in nature. I chose to fill the image with different textures and repeating patterns. Because the colors in the sky were high overhead, I chose a vertical composition for this shot.

How many basic rules of the composition can you identify in this photograph?

Once a Mighty King

Jay Patel —  January 9, 2013 — Leave a comment

I could spend all day photographing the Toadstools and never get tired of them. The variety of hoodoos and formations in the region is awesome. On this day, we arrived early to photograph this location and the light show did not disappoint.

I used a manual blend (iHDR workflow) to balance out the light between the sky and the foreground. Why didn’t I use a GND filter? Because it would have darkened the top of the mountains and hoodoos. I chose this composition so that the large red hoodoo stands out.

Is the composition effective? I’d love to hear your thoughts.

I took this shot a few years ago in Bryce Canyon National Park. This is a spectacularly beautiful location at any time of year – but on this day, the fresh snow made Bryce look like a winter wonderland. We arrived while it was still dark, and ours were the only footprints in the newly-fallen snow. Although I wore my warmest clothing, I was shivering with cold – until I pulled out my camera. Suddenly, I forgot about the cold… scenes like this are what nature photographers dream of. Everything came together for me. A beautiful location in perfect conditions. Stunning skies, soft light… and perfect silence.

“May your days be merry and bright!”

Happy Holidays!

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Sandstone is Awesome

Varina Patel —  December 14, 2012 — Leave a comment

There’s nothing quite like sandstone for making your jaw drop. The variety of colors, patterns, and formations is beyond amazing. I have thousands of images of sandstone from the Southwestern US. Here are just a few!

Vermillion Cliffs – Arizona

The Toadstools – Utah

Valley of Fire State Park – Nevada

Valley of Fire State Park – Nevada

The Wave, Coyote Buttes – Arizona

This is a shot I took near the roadside in Utah. A small creek ran beside the road, and it was covered in a thin layer of ice. I loved the pretty patterns – and even better, frosted Aspen leaves were scattered across the ice. I chose this one carefully – looking for one with a curve that echoed the patterns in the ice, and a stem that wasn’t too long or too short or to straight. :) This one fit the requirements, so I placed it where its shape would echo the patterns in the ice and took my shot.

Click on the image above to download the image for your desktop background. I hope you’ll enjoy it!

As always, these images are provided for personal use as computer wallpaper or backgrounds ONLY. Copyright belongs to the photographer, and photographs cannot be used, redistributed, or recreated in print, on the web, or in any other medium without written permission from the photographer.

What is a Desert?

Varina Patel —  October 19, 2012 — Leave a comment

What do you think of when you imagine the desert? I’m guessing you see sand and sky. Some of those big green saguaro cacti? Maybe a camel or a lizard? Heat. Sun. No water. Most people picture the desert the way it is presented in geography books from their school days.

And that’s the desert. Sure. But there’s so much more to it than that! If you spend time exploring – hiking, discovering – you’ll find that there’s a whole world out there that you never knew existed! Here’s a little taste of the incredible beauty of the US desert regions.

I wish I could take you out there with me and show you why I love these places so much. It’s not just the grand scale of things – the way you can turn in place and see nothing but desert as far as the eye can see in every direction. It’s not just the tiny details – the cracked mud, the salt crystals, the breathtaking colors. It’s not just blazing sun that parches the land and makes your eyes hurt, or the sudden storms that turn bleak stretches of sand in blooming prairie and slot canyons into rushing rivers. It’s all those things and more. Tiny flowers blooming on sandy stretches of nothing, arches and hoodoos that have been carved by erosion out of solid rock, sunrises that paint the sand a rich gold, too many stars to count, moonlight that is so bright you can see your shadow, and a quiet so deep that you can hear your own heartbeat.

Just writing this makes me long to be out there right now. I went through my portfolio and pulled together a small collection of desert images. You can click on the thumbnails below to see larger images.

 

Mirror, Mirror

Jay Patel —  October 17, 2012 — 1 Comment

If you are willing to cross Calf Creek at the end of the Calf Creek Falls Trail, you’ll find this pretty little reflecting pool. We arrived there at the height of the fall season – when the trees were showing their richest colors. The conditions were just perfect at that time of day because the entire are was in shade.

While this photograph is not a high dynamic range blend, I did use manual blending to combine two separate images. I used one shot for the reflections in the water, and a second shot for the rest of the image. I used a circular polarizer to bring out the rich fall colors and darken the wet rock on the canyon walls. Then I took another shot without the polarizer to capture the reflection of the waterfall in the pool. I blended these two shots to form the image you see here.

Yet another gorgeous spot! Jay and I visited Bowtie arch in Utah, and I recorded this short video while we were there. This is the kind of place that’s great for a personal challenge. The hike was awesome, and so was shooting!

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How do you deal with harsh light? Do you pack up your camera and go hang out in the hotel? Or do you hike a few trails – exploring the area and looking for shots that work even when the light isn’t “ideal”? Whatever that means. :)

You always hear about shooting during the golden hour – and that’s great advice. But most serious photographers aren’t setting up 30 minutes before sunset, and packing it in as soon as the sunset is over. Most of us are out there no matter the conditions – and we’re doing our best to work with the light we have. Learning to handle the light is a huge part of photography. Maybe the most important part. ;)

I took this shot right in the middle of a hot, sunny day. Not a cloud in the sky. Brilliant blue overhead and blinding light bouncing off every surface. Exactly the kind of light that we are supposed to avoid. But that’s actually what I wanted for this shot. I took the shot in the shade – just a few meters to each side, the face of the rock was brightly lit. But here – under a huge shelf of rock, the sandstone was cool and evenly lit. No harsh shadows. No blinding highlights. And to make things even better, the intense sunlight was bouncing all over the place – reflected light bounced and rebounded from every surface. And this is the result. The rich colors in the sandstone really stand out – and even the darkest shadows are getting some light.

I got in close to the stained rock in the foreground, and chose a composition that included the patterns and the arch itself – but none of the bright sunlit areas around me. The results is an abstract shot that shows off the incredible beauty of the location – with none of the distractions that black shadows and blown highlights would bring.

Have you wondered what it’s like for a husband-and-wife landscape photographer team? For us, it’s like being on a date. :) We arrived at this location well before the sun went down, and scouted it out. After joking around with a few stragglers, we soon found ourself alone under these incredible arches. We set up our shots and laid down next to one other on the smooth sandstone as our cameras clicked away automatically nearby. We talked about new photography ideas, discussed exotic locations we hope to visit someday, and counted meteors as they passed overhead. We watched some guy trying to paint with light half a mile away, shared the chocolates we’d brought along, and laughed about our experiences with our kids.

Nothing beats spending time with your best friend in the wilderness!

The light on the arch and hoodoo is natural. We took these photo long after the sun had gone down. The star trails are blended from 85 and 120 individual exposures – each with a 30-second shutter speed. We built Photoshop actions to blend the images quickly and easily using layers, masks, and blending modes. The camera remained in the same place throughout the entire shooting process. Our remote releases allowed us to set up the camera, and then stand back and let it do all the work. The hoodoo in Varina’s shot is lit by moonlight. The arches in Jay’s shot are lit by the very last light of the day, reflected onto the sandstone.

Here’s Varina’s shot from the night before.

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